The Uncut 12th Wildcat

So this past day I did something else I’ve rather been dreading: watching the uncut 12^th Wildcat.

Despite as disinterested as I am about sports, and American football in particular, the episode isn’t that bad . . . until, of course, we get to court. My complaints about how that is handled have not changed. Hamilton is making way too many mistakes and has to be reprimanded far too many times. It’s out of character. If this is the sort of conduct Bill Vincent sees, it’s no wonder he makes mistakes in The Impetuous Imp and The Misguided Model.

I counted around four or five times where Hamilton is reprimanded for unusually bad behavior. And judging from the scene when we first switch to court, there were many more problems happening off-screen. The exasperated judge is scolding both Perry and Hamilton and says that for the last time, he will not tolerate personal exchanges in court.

Having seen the episode in full, I suppose it is conceivable that Hamilton is on a high from his third narcotics bust and goes into court overconfident and that’s why there are so many screw-ups. But I really don’t think so. This seems more like just plain old bad writing, especially in light of the episode’s other, even worse problem.

Yes, the identity of the murder victim is never disclosed onscreen. We’re left to assume that the missing man is the one the defendant’s husband killed, but we’re never actually told that. It really wouldn’t have taken much for Perry to say it—just one more line, one more sentence!—but he doesn’t. And the epilogue, while cute, is like some hastily written fluff party. It reminds me of some of my first drafts of epilogues, where I’m so anxious to get a story done that I’m tapping out something short and cute to wrap it up. Luckily for me, I generally see the problems before I post and fix them by having the characters tie up all loose ends as well as celebrate. The writer did not do that here. The epilogue consists solely of everybody toasting each other.

The episode does manage to have its good points. As I noted before, Hamilton’s very first scene is excellent. There are many Steve scenes. And it boasts what is probably the most adorable Sergeant Brice scene ever.

Perry and company are eating at Clay’s and discussing the case when Brice randomly wanders into the scene. He smiles and greets Della, teasingly asking her if the guys are giving her a bad time. She smiles and runs her hand up his arm, telling him that if they ever do, Brice is her policeman.

This certainly opens up an intriguing friendship that is never really explored before or since. They wouldn’t be having such a familiar exchange like that if they haven’t had a great deal of interaction in the past. We’re sadly never shown any other scenes of them interacting, unless there’s some short little bit in the uncut version of a season 3 or 4 episode I’ve never seen. I’ll definitely be writing a story about Della and Brice sometime in the future.

Della is adorable too during the football game. She is very caught up in the game and is tensely excited as she roots for the Wildcats. I was a little surprised to see her show such an interest in football. I never thought of her as much of a sports fan.

Perhaps it’s not so much that she has an interest, but just that as long as she’s there, watching, she gets excited in the moment. They have friends on the team and among the team’s management, too, so she might be rooting for them, really. And they know that if the Wildcats win, there will hopefully be that payoff and they can crack the case.

It is kind of a cute thought, though, if Della enjoys football in general. It would be such an unexpected aspect of her character.

Brice also has an interesting moment in The Impetuous Imp. When Paul arrives on the crime scene and Steve doesn’t want him underfoot right then, Brice shrugs and calmly says, “He’s the boss. Let’s go, Paul,” rather indicating that if it was up to him, he would probably just let Paul stay.

I’m currently trying to find the post where I compared the defendants of The Impetuous Imp and The Negligent Nymph, and mused on preferring the more mature and serious girl from Nymph as opposed to the ditz from Imp, but so far I can’t seem to locate it. (Oh wait, I just found it.) I tend to not tag a post with an episode title if I only mention the episode in one paragraph, but sometimes that results in my losing track of the post. I think I need a better tagging system. It would help if Blogger didn’t limit you on how many characters via tags you can use per post. I think that’s why I started the system I’ve been using.

Anyway, I watched The Impetuous Imp too, generally enjoying it as I usually do, but the epilogue gave me pause this time, in spite of its amusing nature. It occurred to me that it really is terrible that Paul wasn’t consulted on the subject of the girl’s novel. Since she changes the name, however slightly (Paul Lake), I assume he could not sue her if he doesn’t care for the portrayal. But it seems it would just be the most decent thing to do, to tell him before a character heavily based on him goes into the world of print. Perry even seems to know about the book, since he says, “You’ll see, Paul.”

I guess it was just the practice back then, to keep it a surprise. But I heard about more than one instance where somebody sued in real-life because a television character was named exactly after them without their permission and they did not like it one bit. One would assume Perry would mention to the girl that even if Paul could not potentially sue, out of decency she should let Paul know before publishing the book. It would be a little different if it had just been a finished manuscript that she was planning to send off, and Paul was just learning the truth then, but in the scene it’s an actual, published novel. Before he even knows about it, people all over the nation (maybe even the world) are paying to read about Paul Lake, Private Eye. Wow.

In all fairness to the girl, it does sound like she portrays Paul quite well in the excerpt that's read. Paul's feelings on being the subject of her book, however, are not expressly clear. He gives one of his classic facial expressions during the excerpt and yet another when he sees the title of the book. And we are left with that.

Assistant District Attorneys and Mr. Burger's Interaction with Them

(I’m late! I’m late! I’m late for an important date!

I apologize; I may be a bit delayed in getting up all the blog posts this month. These June writing prompts are taking up more of my time than the other theme sets I wrote for the 31 Days community. Plus I have work and some other Perry-related projects, the latter of which I may talk about later. Hopefully I won’t be so delayed that I’ll post here on the wrong days.)

Ah, the assistant district attorney. It’s an office we see quite a lot of on Perry, particularly at the last of season 3 and throughout a great deal of season 4. (And in season 2’s The Stuttering Bishop, as an unplanned venture when William Talman had laryngitis.) And we’ve probably only seen a drop in the bucket of the sheer number available; the Los Angeles County district attorney’s office has over a thousand of them.

It’s a bit curious that we don’t often see Hamilton interact with these vital members of his staff (aside from the silent communications between them whenever Hamilton is in court and has one in tow). Of course, the main times they have speaking roles are when he is not around, but there are still cases where they and he appear in the same episodes and all speak.

I’m still trying to remember if Hanley from episode 19, The Haunted Husband, is an assistant D.A. or an investigator. In either case, that is probably the first time we ever see Hamilton converse at length with someone from his office. In the uncut version of the episode Hanley even has a scene of his own, as he questions the girl survivor of a car wreck.

A good example of Hamilton’s character development is in his handling of the assistant district attorneys. While he is very mature and sobered with Hanley (whoever he is) in The Haunted Husband, Hamilton in the early episodes certainly has a tendency to be more impulsive, blurt out things he probably shouldn’t, and generally display how young he is at the time. His behavior in the scene with Hanley (and many other scenes) is an intriguing contrast, another side of his personality. Certainly, everyone has many facets.

As the seasons pass, however, Hamilton reflects this. In the later episodes, he is by and large older and wiser. The more mature side of his personality is more prominent than his outbursts. And, no longer as rash as he once was, he counsels those around him who are.

Larry Germaine in The Fatal Fetish is definitely a prime example. Youthful and impetuous, Larry digs himself into a deep mess with the femme fatale Carina Wileen. Hamilton sees what Larry doesn’t and tries to get to the bottom of what’s going on. Larry snaps at him, much as a young boy might do with someone older than he if he feels the counsel is unneeded and unwanted. Hamilton is clearly stunned and hurt by this. He later tells Mignon that he’s worrying about Larry. And when Larry loses his temper and tries to grab Neil Howard, another attorney, Hamilton has to physically pull him back.

The full extent of Hamilton’s concern for Larry is unknown, but considering his canonical admittance that he and Mignon are close friends, it seems likely that Hamilton could have also known Larry quite well even before he joined the D.A.’s office. I certainly believe that Hamilton’s association with him goes deeper than just that Larry works under him. But I’m also sure that Hamilton is concerned for every one of his assistants and that, were any of them to get themselves in the same kind of mess, Hamilton would be just as involved in trying to help them as he was with Larry.

One of Hamilton’s assistants also plays an extended and unique role in season 9’s The Impetuous Imp, a remake of season 1’s The Negligent Nymph. While I’m a bit unsure what to make of the episode overall, I am fascinated by the rarely seen angle of what Hamilton does when one of his assistants has the reins. I’m even more fascinated since it’s really just a subplot and doesn’t directly connect to the main plot (save for the assistant’s impulsiveness in court and his seeming reluctance to let Perry investigate the murder scene until he’s done looking it over himself). Hamilton and his assistant have a whole subplot?! Oh yes!

Hamilton and the young assistant, Bill Vincent, seem to be on quite friendly terms with each other. Showing how congenial Hamilton can be, he even brings the kid along to Clay’s for lunch with Perry and Steve. This is following a robbery hearing at which Bill lost to Perry. They have a very interesting scene where Hamilton good-naturedly tells Bill he should never let Perry talk him into stipulating anything. He describes some of Perry’s methods, still calmly and peaceably, and Perry, Steve, and Clay all join in the conversation. It’s a very nice, relaxed, and friendly scene.

Hamilton supports Bill in his decisions concerning the murder room, once the murder happens. And he is willing to let Bill do as he feels best; under the circumstances Hamilton doesn’t feel that Bill is doing wrong.

But he is not blindly accepting of everything his assistants do, either. That was shown with Larry Germaine and again here, when Hamilton interrupts the preliminary hearing with new information just as Bill is acting out badly in court. Hamilton all but apologizes for him and says that he is taking over the case due to the new information he’s found. It is quite possibly also because he realizes that Bill isn’t ready for these responsibilities yet and that he needs to take over before Bill further embarrasses himself or the D.A.’s office by his upholding of a situation that could be seen as an obstruction.

I have to say, I wish Bill had returned in other episodes. He could have been a wonderful gateway into the goings-on at the district attorney’s office and towards seeing more of this side of Hamilton’s personality. He was so prominently featured that I found myself wondering whether he was the murderer (he wasn’t) or if he was a character they were bringing in to test for a spin-off (who knows). If he was just meant to be there as an interesting twist, they succeeded. And they impressed me for taking that path on a series so often focusing mainly on the defense team.

Hamilton also interacts with an assistant D.A. later in season 9, in The Golfer’s Gambit. When he needs to testify to a phone call in court, he has the assistant take over and question him. From what I recall, the assistant looked a bit nervous or apprehensive. I would have liked to have seen them converse a bit at some other point in the episode (and for that matter, for Hamilton’s whole testimony scene to have been handled better; see my post on that episode for those comments).

Those are the only times I can think of when Hamilton had any kind of extensive scenes with his assistants. I would have liked to have seen him handle the insufferable Sampson from season 4. I wonder a bit if Hamilton did talk to him, off-screen, since in Sampson’s third and final appearance he is more subdued.