I am still trying to figure out what happened to all those
topics I had in my mind a couple weeks ago. I’m so sorry! From now on, posts
may sometimes come on any day at all, at least for a while.
I would have had a post on time for the weekend
if I’d managed to review The Illicit Illusion on Saturday night. (I didn’t
have much luck catching MeTV’s the previous evening.) As it turned out, I didn’t
get the chance until today.
It’s actually never been a big favorite of mine,
even though I love both season 7 and Samuel Newman’s writing in general. Every
writer turns out some lesser episodes at some point, and regardless of whether
this is Mr. Newman’s, it’s probably my least favorite of his scripts.
I think the main thing I’m unsure on what to
think about is when Hamilton and Andy’s actions to try to prove the murder
suspect’s guilt are proclaimed entrapment by Perry. I’m glad that Mr. Newman’s
usual kindness towards Hamilton is present, however, and Andy is quick to
assure Perry that there was no entrapment and the thought of taking flight was
never even suggested to the defendant. But since Hamilton (and the police) have
so many strikes against them already, I’m not sure what to think of another
being added, even if proven untrue. Despite what was said in their defense, it
still seemed that a bad feeling towards their actions lingered through the rest
of the court case.
One interesting thing, though: it does show, once
again, that Perry can be quick to throw accusations at Hamilton and the police,
just as they often did, mostly in the past, towards Perry. I suppose one could
take it to mean that Perry, having grown tired of being accused, has decided to
start voicing suspicions of his own. Of course, he is always quick to announce
such suspicions and accusations, if he has them, in every season. But it seems
like he does it much more frequently later on.
Aside from that angle, I do have one other, more
general complaint. We never do learn exactly who killed the old lady in New
York. It’s certainly implied that it really was Ambrose, and yet unless he’s
just trying to make himself look better, there’s the thing where he yells at Leslie,
his accomplice, that he’d told her he didn’t want anyone to be hurt. He seems
distraught that she killed Kirk
Cameron. And that left me puzzling over whether he truly killed the woman in
New York, even though he was swindling her. Unless even the DVD episodes aren’t
entirely complete, Mr. Newman left the confirmation of that killer’s identity
out of the story. I don’t like loose ends of those proportions being left
hanging.
Pushing those issues away, the episode is
interesting. There’s a definite Gaslight type plot going on, where the
hapless woman is made to think she’s going crazy by various events, notes,
phone calls, etc. Things she sees are later construed so as to not have
happened, while she’s told of phone calls she’s made that she can’t remember
making. She’s so convinced that she’s going bonkers that she absolutely insists
her doctor isn’t telling her the truth when he says she’s just overworked and
exhausted and run ragged by her bad marriage.
I do think it’s a bit preposterous how
susceptible she is to the idea that she’s teetering on the brink of insanity,
particularly when she’s struck over the head after seeing the desk a mess. When
she wakes up and finds the desk normal, it seems it should be obvious that
whoever hit her cleaned up the mess! No matter how many times I see the
episode, that part always strikes me as bizarre. The audience is apparently
supposed to accept that by that point, she’s so deeply into the “illusions”
being crafted that she can’t even accept that being struck was what actually
happened to her. But that doesn’t make much sense to me. It should convince her
that something is going on other than what she’s being made to believe.
The illusion that really seems eerie and
unexplained is when she staggers down the stairs after the elevator isn’t
working and drops her purse before tripping and swooning. There’s no indication
of anyone else being there, yet she comes to discovering her purse seemingly
unaffected by the fall and standing upright. Now that’s creepy stuff.
I do like how compassionate and worried she is
about her husband, wanting Perry to defend him when he’s arrested for the
murder in New York. And another interesting point: I think this might be the
second episode in season 7 where Perry does not defend a potential client but
does offer some form of help (the other episode being The Woeful Widower).
On another topic, tomorrow is the anniversary of
William Hopper’s death. It would be a good day to watch a Paul-centric episode
or two. Episodes I can think of offhand with lots of good Paul scenes and/or
plotlines are:
Paul Drake’s Dilemma
The Impatient Partner
The Nervous Neighbor
The Wooden Nickels
The Carefree Coronary
The Sausalito Sunrise
One thing Paul is always worried about is doing
anything that could possibly be interpreted as breaking the law, which would
get him in big trouble. I saw that again today on a favorite season 1 episode, The
Moth-Eaten Mink. I have to admit, I don’t always think it’s right for Perry
to put Paul in situations where he’s in danger of losing his license. He knows
Paul won’t refuse to help him, because they’re friends and Paul can’t stand to
leave him high and dry. (And also because Paul knows Perry is ultimately
working towards justice.) To some extent, sometimes it does feel like Perry
takes unfair advantage of Paul.
Yet on the other hand, as was mentioned in one of
my stories, whenever Paul gets into trouble, Perry is generally getting deep
into it as well. And he doesn’t ask Paul to do things that he wouldn’t do
himself. That whole plotline in that story, where Dr. Portman tries to turn
Paul against Perry and Paul is fighting against it and having conflicting
thoughts, is basically my exploration of my own conflicted thoughts on the
matter.
Later
in the week I plan to have a comparison up between The Moth-Eaten Mink
and The Sausalito Sunrise. Having now seen them both within a relatively
short amount of time, I have some assorted opinions on how the plots of each
hold up.
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