Well, alas, Perry lost to The Twilight
Zone. I really figured that would happen, but it was still sad to see it
happen. The finals are The Twilight Zone versus Star Trek, so I’ve
thrown my support to The Twilight Zone. A very strange and eerie show,
but a very intelligent show that has a lot of good morals in their episodes. Star
Trek is likewise, but since I’m more familiar with the movies and The
Next Generation series, I voted for the show I know better.
The past week was a bit oddball, as I missed most
of Monday night’s episode and there were two out-of-town episodes. I felt like I
was suffering from Hamilton withdrawal! So I watched Saturday’s episode on my
local station. They’ve been running seasons 1 and 2 for some time on Saturdays,
and I haven’t devoted much time to watching the Saturday night sessions for
some time, since I’ve seen those episodes more than some others. But I greatly
enjoyed seeing the characters this Saturday, so I may get back into the habit
of watching then as well as on weekday nights.
It was interesting watching the out-of-town
episodes, however. I always like catching A Place Called Midnight, since
it’s so unique. Not only is Perry in Europe for the duration of the case, there
are no court scenes. The mystery is resolved out of court. And I always get a
kick out of Werner Klemperer playing the police lieutenant and working with
Perry to solve the case. I think I saw that episode uncut just once, and I
would like to do so again.
The other out-of-town episode, The Reckless
Rockhound, I don’t recall ever seeing before. I wasn’t fully sure what to
make of the Reba character. She could be so cold and hard, even with some
people who were her friends. But then she would occasionally open up and show
this other side of her personality and she was quite likable. I also found it
interesting to see the actor who played the nutcase Dan Morgan in The
Misguided Missile playing a good guy here. I found it sweet how much he
cared about Reba and how he knew her secret about the diamonds already being
spent, but covered the loans himself. And I was actually fairly surprised by
the murderer. I was afraid it was going to be him, but then it was his young
assistant instead. I hadn’t suspected him at all.
Something very bizarre I’ve noticed is how
stations seem to have more than one print of certain episodes, with each print
different and both prints getting airtime. Recently I mentioned MeTV airing a differently
cut print of The Ugly Duckling. I’ve also seen my local station air two
cuts of The Stand-In Sister. Now I’ve seen MeTV air another print of The
Missing Button!
This time the report is positive, as one of the
things I was most upset about was their prior cut of that episode, which
eliminated almost all of the scene where Perry and Paul find Button on the boat
and see that she’s safe. Instead it went right to Perry bidding Button
farewell, which really looked preposterous since the last thing shown was that
she had apparently been kidnapped. But the print that MeTV just aired restored
the rest of that scene. I can’t tell whether they have two separate prints that
they air or if people wrote in upset about the cut scene and MeTV got the other
print then.
I wonder why stations have two different prints
anyway. If they had one, wouldn’t they always air that one? How do they end up
airing the other one? Is it an accident or on purpose?
Generally, when I see two different prints of an
episode, it’s at two different airing times. The uncut Stand-In Sister
aired on Saturday night on my local station, with the cut version airing on a
weekday. The print of The Ugly Duckling with William Boyett’s scene
aired in the morning on MeTV, as did the print of The Missing Button with
most of the boat scene eliminated. The other prints of those episodes aired at
night. I don’t know if the different airing times have anything to do with the
truth of why the different prints exist, but it’s interesting to note, at least.
Also, of particular note is that I am very happy
to learn that what I wondered about in the Perry movie The
Heartbroken Bride isn’t true. It wasn’t intended to have any double-meaning
remarks about the daughter, according to a recent commenter. From emails to director
Christian Nyby II and one of the scriptwriters, Perry was meant to be exactly
what the script said, a dear friend of the family and a surrogate uncle, not
the girl’s real father. The crew said that they wouldn’t have had Perry do
anything scurrilous. Very happy to hear that. Thank you, commenter!
Speaking
of Perry movies, another will air this coming Friday. Looking forward to
seeing what’s happening in that one. While the movies are not the series, and
never could be with only two original cast members, I find them a lot more
enjoyable and fun to watch than I ever thought they would be. I think they
basically do an excellent job adapting the Perry format to the (relative)
present day.
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