Next week there will be a lot of tribute posts.
And I’m kind of wondering how to do the ones on the 30th, for
William Talman and Wesley Lau. Should I combine the tributes into one large
post? Should I post twice that day, with them separate? Should I post one of
them on the weekend and one on the 30th?
I realize that in May, I ended up doing a
combined post for Raymond Burr and Lee Miller, but that was only because I found
out about Lee Miller’s birthday while checking up on material for Raymond’s
post. Otherwise, the posts would have been separate (and on the proper days,
too).
I feel like I want to do the memorial tributes
for both William and Wesley on the right day. But I’m concerned that if I post them
separately, even if on the same day, the first one may get lost in the shuffle.
On the other hand, if they’re combined in one post, I’m not sure that would
allot the same amount of attention to each one either.
It seems a problem without a perfect solution. This
is the first time I’m faced with it, as last year I was unaware that they
passed away on the same day (sixteen years apart). And that is sad and eerie
and uncanny to begin with, as they are two of my three favorites.
Thoughts, anyone? What seems the most respectful
way to handle this?
While checking up on some of the recurring cast
and their birthdays, I stumbled across this: http://www.aveleyman.com/ActorCredit.aspx?ActorID=7782
I’ve been on this site now and then; they have some fun and rare pictures for
various character actors. The picture of Karl Held they have up suddenly made
me realize something. There are certain cast members from our show with whom I was
at least aware of for years before I was introduced to Perry. Karl is
one of them.
I honestly can’t remember when my dad introduced
me to The Student Prince, but I am positive it was before I ever saw Perry.
I also think it was before I developed an independent interest in old movies
and television. If so, Richard Anderson may very well be the first Perry
cast member I ever ran across. The more I think about it, the more I am very
sure that his character Lucas was my favorite character from the film.
Isn’t it strange, how that works? He was my
favorite, but I knew nothing about the actor, and by the time I became
reacquainted with him years later I’d all but forgotten that initial encounter.
And yet he managed to once again become a favorite due to Perry, with me
not remembering the first meeting until after the fact. The same thing happened
with Simon Oakland (whom I first saw on Perry years ago and immediately
liked).
I guess it goes to show that my preferences have never
really changed much, even after all this time.
As for Karl Held, well, my maternal grandmother
had this magazine about cats that I just loved to read and re-read. One segment
talked about cat movies. Disney’s 1965 classic That Darn Cat! was mentioned
and I was intrigued. In 1996 I looked for it at the library and found it. I watched
it, loved it, and my interest in old movies was sparked. It was the first old
movie, aside from animated films and The Wizard of Oz, that I deliberately set out to see. That led
to many more Disney comedies, and from there, an interest in similar fun family
films.
I also watched the old movies my parents selected
with greater interest and decided to seek out some of the awesome-sounding
television shows my mom had talked about for years. I became so entranced with
the golden oldies that for a time, I actually preferred things being in
black-and-white to color! I generally prefer color again now, but some things
really do look better in black-and-white for the shadows and mysterious effects.
Karl Held appears in That Darn Cat!, as an
F.B.I. agent assigned to trail the titular character because there’s reason to
believe the kitty knows where a kidnapped bank teller is being held. While he
wasn’t my favorite of those agents, I enjoyed his part. The scenes of the
agents tailing the cat are among my most favorites in the film.
(And I didn’t realize Karl Held has such pretty
blue eyes. I’ve only seen him in black-and-white stuff other than this, I think.
And I haven’t seen the film again since becoming better aware of who Karl is.
Man, he looks good in a fedora. Of course, people generally do. It’s such a
cool hat.)
I find it kind of neat that a Perry cast
member was in the thing that sparked my interest in old media. And I’m one of
the very few people who honestly isn’t bothered by David Gideon, so that makes
it even better for me.
Offhand, I also remember seeing Raymond Burr in A
Place in the Sun years ago. I want to say it was before I saw Perry,
but I’m honestly not sure on that. It probably was, though, because otherwise
my parents probably would have talked about the irony of him playing a
prosecutor, and I don’t recall such discussion. What I do remember, very
vaguely, is thinking he was very good in the part.
Ray Collins I met prior to Perry because
of my love for the Ma & Pa Kettle films. I wouldn’t be surprised if I
saw him in other things too. I remember The Magnificent Ambersons being
on television sometimes and catching snatches of it.
William Hopper I would have seen in Rebel
Without a Cause, but even though I liked that film, I cannot bring his
character to mind. I regret that. I should get the film out again and refresh
my memory.
It’s very possible that I saw Barbara Hale in
things before Perry, too. With William Talman and Wesley Lau it’s more
unlikely, since their films are sadly more obscure for the most part.
I would tentatively say it’s slightly
possible that I saw Wesley in The Alamo, if that film was on television
at some point. It’s probably one of the two most commercially available of all
of his films. Of course, I also saw him in I Want to Live!, but I think I
first saw that film after seeing Perry. I wish I could remember for
sure. It’s also possible that even if it was after, it was before I saw any
Wesley episodes.
I want to say that I thought the main character’s
husband was very cute, in spite of the character being a deadbeat jerk. If that
happened, it was similar to how I immediately liked Simon and didn’t want his Perry
character in The Frantic Flyer to be hurt, even though he was . . .
quite a nasty fellow. Instead of just being completely shallow, I think it was
more that the actors themselves appealed to me, rather than their specific
characters in those productions. Their goodness shone through.
(Albeit
every now and then, I do become downright fond of a specifically antagonistic
character, if the personality intrigues me in a certain way. I am extremely
fond of Emil Sande in The Alamo and feel sorry for him when he is killed
while trying to defend his weapon stockpile that Davy Crockett and the others
show up to take. But that is a ramble for another place. Maybe on the 30th,
hmm?)
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